<\/p>\n
2018<\/strong><\/p>\n Autoethnos: stories from the self<\/em>, at C&C Gallery, Forest Hill, London. With artists Caroline Pick and Isobel Smith. Exhibited four new sculptural works: Motherboard<\/em>, Tripot<\/em>, Tie-Tongued<\/em> and Fur Cue<\/em><\/p>\n 2017<\/strong><\/p>\n I, Penguin, <\/em>performance with taxidermy at the Booth Museum of Natural History, Brighton. A MUPI (Museums and Universities Partnership Initiative) project<\/p>\n 2012<\/strong><\/p>\n Imprint<\/em>\u00a0at APEC Studios<\/p>\n 2010<\/strong><\/p>\n APEC Open Studios<\/em><\/p>\n 2009<\/strong><\/p>\n Lost Horizons<\/em>, Towner Art Gallery, Eastbourne<\/p>\n 2008<\/strong><\/p>\n Artist in Residence<\/em>, Fabrica, Brighton Photo Biennial 2007<\/strong><\/p>\n \u2018North and South<\/em>\u2019, John Hansard Gallery, Southampton City Art Gallery Millais Gallery, Reg Vardy Gallery, Northern Gallery of Contemporary Art and National Glass Centre.<\/p>\n 2006<\/strong><\/p>\n Braziers International Artists\u2019 Workshop \u2013 selected artist 2005<\/strong><\/p>\n Towner Art Gallery, Eastbourne commission, Practice Makes Perfect, 2004<\/strong><\/p>\n Last Call for Flight 70362<\/em> performance Corn Exchange Brighton<\/p>\n 2003<\/strong><\/p>\n Santa\u2019s Grotty Christmas<\/em> commission Towner Art Gallery 2002<\/strong><\/p>\n Veronica St Mary Magdalen Church, London 2001<\/strong><\/p>\n Oh I do like to be beside the seaside<\/em> HSL shop St Leonards 2000<\/strong><\/p>\n Vector Vision<\/em> Hove Museum commission<\/p>\n 1999<\/strong><\/p>\n e-motion<\/em> Otter Gallery Chichester, residency 1995<\/strong><\/p>\n Gravitas<\/em> Degree Show Brighton University 1994<\/strong><\/p>\n Still Life<\/em> University of Brighton Gallery<\/p>\n 1993<\/strong><\/p>\n Oubliette<\/em> Queen\u2019s Park Studios Brighton<\/p>\n 1992<\/strong><\/p>\n Foundation show Holmes Road, Camden<\/p>\n 1991<\/strong><\/p>\n Must sort out that drawer one day<\/em> Candid Gallery Islington<\/p>\n 1990<\/strong><\/p>\n Collaborative show, Designerinnenzentrum, Hamburg<\/p>\n","protected":false},"excerpt":{"rendered":" 2018 Autoethnos: stories from the self, at C&C Gallery, Forest Hill, London. With artists Caroline Pick and Isobel Smith. Exhibited four new sculptural works: Motherboard, Tripot, Tie-Tongued and Fur Cue 2017 I, Penguin, performance with taxidermy at the Booth Museum of Natural History, Brighton. A MUPI (Museums and Universities Partnership Initiative) project 2012 Imprint\u00a0at […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":1,"comment_status":"open","ping_status":"open","template":"related-pages.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/pages\/30"}],"collection":[{"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.susandiab.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30"}],"version-history":[{"count":8,"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":444,"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions\/444"}],"up":[{"embeddable":true,"href":"https:\/\/www.susandiab.com\/index.php?rest_route=\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/www.susandiab.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFor Those Killed in Ambush<\/em>, Hold and Freight, London
\nBlank Studios, Portslade
\nOpen Studios, APEC, Hove<\/p>\n
\nWould Silence the Apology<\/span>, group show, 35a, Brighton<\/p>\n
\nExhibiting artist, finetuned, APEC Studios, Hove
\nCommissioned artist at SEEDA Chatham<\/p>\n
\nMirage<\/em> film with Brendan Cleary, Duke of York’s Cinema Brighton
\nImmaculate heart<\/em>, Newhaven
\nI can\u2019t see what I\u2019ve written bookwork for Bristol Art Library
\nFront Line<\/em> in Front Room, Lewes
\nWhat is a Good Idea?<\/em> public discussion with Sean Sayers, philosopher<\/p>\n
\nConversations Beyond God<\/em> public discussion
\nThe Last Chance Car Boot Sale <\/em>outdoor live art work
\nThe Controversial Sproutometer Test<\/em> – all part of Experimental Spaces Hastings Museum<\/p>\n
\nProjection onto Objects<\/em> and\u00a0Laokoon<\/em> outdoor sound sculpture in ‘After Caro<\/em>‘, Lewes
\nDepartures and Arrivals<\/em> YotA Residency Hove Polyclinic
\nRe-membering<\/em> Hastings Museum\/Hastings College, residency
\nParsing performance Durbar Hall Hastings Museum<\/p>\n
\nXtraOrdinary<\/em> Gardner Arts Centre, Brighton
\nCircuit Breakers<\/em> Tunbridge Wells<\/p>\n
\nSex in the Nineties<\/em> University of Brighton Gallery<\/p>\n